Reynold Rodriguez

Acuestate Y No Jodas Mas Lounge, 2021
Polished gypsum plaster and marble
25 × 84 × 34 in
Edition of 8
The Table That Dreamed (Of Being Light) / La Mesa Que Soñaba (Con Ser Luz), 2021
Polished gypsum plaster and LED
80 × 40 × 40 in
Edition of 8
Sometimes A Black Elephant Chaise, 2021
Polished gypsum plaster
28 x 42 x 21 in (seat height 17.5 in)
Edition of 8
Alma Solitaria (Solitary Soul) Wall Lamp / Console, 2021
Polished textured gypsum plaster
80 x 42.5 x 10.5 in (shelf height 36 in)
Edition of 8
Todo El Bien (Todo El Mal) Chair, 2021
Polished gypsum plaster
32 x 36 x 26 in
Edition of 8
Sometimes A White Elephant Chaise, 2021
Polished gypsum plaster
28 x 41 x 24 in
Edition of 8
Jimagüa Chair, 2021
Polished gypsum plaster
28 x 28 x 28 in
Edition of 8
Bajo Tu Sombra (Under Your Shadow) Lamp Pair, 2021
Polished gypsum plaster
35 x 24 x 20 in
47 x 24 x 20 in
Edition of 8
Sometimes An (Untitled), 2020
Polished gypsum plaster
28 x 28 x 25 in
Edition of 8
Grace and Gravity, 2019
Charred solid mahogany
24 x 33 x 33 in
Edition of 8
Grace and Gravity, 2019
Charred solid mahogany
24 x 33 x 33 in
Edition of 8
Le Petit Elephant / Chair, 2020
Polished gypsum plaster
29 x 24 x 24 in
Edition of 8
Cabezon / Table Lamp, 2020
Polished gypsum plaster and mahogany
block
12 x 13 x 26 in
Edition of 8
K Chair, 2019
Charred hand-carved almendro wood
29 x 24 x 24 in
Edition of 8
Le Champignon, 2020
Polished gypsum plaster
29 x 24 x 24 in
Edition of 8
Continue / Table Lamp, 2020
Polished gypsum plaster
42 x 29 x 24 in
Edition of 8
Sometimes an Elephant / Chaise, 2020
Mahogany and Almendro Wood
42 x 28 x 21 in
Edition of 8
Les Trois Triste / Table Lamp, 2020
Polished gypsum plaster with seashell inlay
18 x 18 x 27 in
Edition of 8
The Saddest (...Lamp In The World) / Table Lamp, 2020
Polished and stained gypsum plaster
11 x 16 x 8 in
Edition of 8

Reynold Rodríguez earned a degree in industrial design at the Rhode Island School of Design (RISD) in 1993. He is the recipient of many awards, including the I.D. Magazine Design Distinction Award and was a finalist in the International Design Competition in Osaka, Japan for his work in aerodynamic architecture. Currently, Rodríguez heads a design studio in San Juan, specializing in the design and production of furniture, interiors, and special projects.

“I study the relationship between objects and how they are made. My design ideas are expressed as narratives of the conceptualization process. The growth of our design studio, a source of creativity and production, allows us to develop projects that combine new techniques and materials, giving us the opportunity to challenge traditional standards of industrial design in Puerto Rico.”

Wexler Gallery

Reynold Rodriguez