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Sol LeWitt

Brushstrokes in Different Colors in Two Directions: Plate #04, 1993
Etching
47 x 29.25 in
PP, Ed. 1/3, Ed. of 35
Untitled, 1988
Screenprint in colors on wove paper
PP 3/3,
Untitled, 1988
Screenprint in colors on wove paper
PP 3/3,
Untitled, 1988
Screenprint in colors on wove paper
PP 3/3,
Untitled, 1988
Screenprint in colors on wove paper
PP 3/3,
Wavy Lines (Gray and Color) , 1995
Woodcut on Awa Kozo paper
35.5 x 20.75 in
Ed. 22/40
Wavy Lines (Gray and Color) , 1995
Woodcut on Awa Kozo paper
35.5 x 20.75 in
Ed. 22/40
Wavy Lines (Gray and Color) , 1995
Woodcut on Awa Kozo paper
35.5 x 20.75 in
Ed. 22/40
Wavy Lines (Gray and Color) , 1995
Woodcut on Awa Kozo paper
35.5 x 20.75 in
Ed. 22/40
Not Straight Brush Strokes In All Directions, 1993
Gouache on paper
60 x 60 in
68 x 68 x 2.5 in framed

Sol LeWitt’s conceptual compositions articulate structure and method. Like a musical score, the artwork is instructional and minimizes the hand of the artist in order to convey an abstract and universal expression. LeWitt (American, 1928–2007) is renowned as a founding member of both Minimalism and Conceptual Art.

Wexler Gallery

Sol LeWitt